Dede Pickering | Cuba

Photo © Dede Pickering-All Rights Reserved

Dede Pickering has been super busy for the past six months, having traveled to India, Cuba, Colombia, and Iceland. Having retired from the corporate world, she became a photographer, and traveled to Antarctica, Mongolia, Tibet, Nepal, Bhutan, Burma, China, Cambodia, Peru, Patagonia, Kosovo, Albania, Rwanda, New Zealand, Guatemala, Cuba, South East Asia and has made multiple trips to Africa and India.

She recently updated her website with galleries of these travels, and I chose to feature one of Cuba 2013. Influenced by the work by travel photographer Nevada Weir and others, she is a member of the Explorers Club in New York

In 1998 Dede took on a full-time volunteer position with CARE, a global private humanitarian organization, to start the Women's Initiative, aimed at connecting American women professionals with women in the developing world. She served as chair of the Women's Initiative until 2004. Under her leadership the small group of volunteers raised awareness and a minimum of $150,000 annually to benefit poor women and their families. Dede was also a CARE Trustee and a member of the advisory committee for CARE's Campaign for Education.

Kris Bailey | Threads For Prayers

"The highest form of devotion is to redress the misery of those in distress – to fulfill the needs of the helpless and to feed the hungry.” - Moin'Uddin Chisti

Here's a well made audio-slideshow of the annual Urs Festival commemorating the death of the Sufi Saint Khwaja Moin Uddin Hasan Chishti produced by Kris Bailey, a member in my Sufi Saints of Rajasthan & Kashmir Photo Expedition-Workshop. It's the third time Kris traveled with me...the first being on Kolkata's Durga Puja, and the second being The Oracles of Kerala Photo Expedition & Workshop.

The Sufi Saints Photo Expedition/Workshop's principal objective was to document the death anniversary held in Ajmer (Rajasthan) of Hazrat Shaikh Khwaja Syed Muhammad Moin'Uddin Chisti (1141- 1230 CE), the most famous Sufi saint of the Chishti Order of the Indian Subcontinent. He introduced and established the order in South Asia. He is also known as Gharib Nawaz or ‘Benefactor of the Poor'.

Kris chose to produce the audio slideshow (converted to video) in monochrome to avoid the divergence in colors arising from the harsh sunlight and the shadows created by the canopies in the shrine.

Threads for Prayers is an apt title for this Sufi religious observance, and underscores the syncretic commonality between Hinduism and Islam in South Asia. A Hindu practices is to tie red threads known as kalava or mauli in temples for their wishes to be fulfilled, and it's one of the practices also observed in Sufi shrines.

Apart from being an attorney in Northern California, Kris is a photographer who's keenly interested in South and South East Asia, and is particularly attracted to unusual rituals and religious festivals. She's already been on two of my most intense photo expeditions workshops, and that doesn't seem to deter her in the least.

A number of her projects can be viewed on her Vimeo page.

Nevada Wier | Insights

"...all of us should have art in our lives...."

There is a small number of leading household names in the world of travel photography and visual ethnography, and one of the top world-wide recognized names is that of Nevada Wier.

As many of my readers know well, Nevada Wier is a multiple award-winning photographer specializing in documenting the remote corners and cultures of the world. She has been published in numerous national and international publications, such as the National Geographic, Geo, National Geographic Adventure, Islands, Outdoor Photographer, Outside, and Smithsonian. She is a Fellow of The Explorer’s Club and a member of the Women’s Geographic Society.

She also is a speaker for workshops, seminars, professional panels, and conferences, and has been featured in video promotions for Adobe Lightroom.

This an interesting insight in Ms Wier's craft and thought process that's behind it. She's currently involved in personal projects, and you'll see towards the end of the video that's she's keen on working with infrared imaging. Well worth your time to appreciate the vision of an experienced and wise professional travel photographer

The video can also be viewed on Vimeo.

Charles Meacham | Calcutta's Taxi

Photo © Charles Meacham-All Rights Reserved

I just read in the India Times that the color of the iconic taxis in Kolkata is to be shortly changed from yellow to blue and white.

Imagine! Although there are new models in the taxi business, most of Kolkata's taxis are antiquated yellow painted Hindustan Ambassadors and I wager their owners and drivers are raising hue and cry at the government's decision. To add further insult to injury, the West Bengal government is reported to be planning to introduce a new fleet of 2,000 cabs in the city which could never refuse passengers, citing late hours, inclement weather or whatever pretext.

So perhaps as a swan's song to these venerable workhorses and for the 'fiddled-with' meters, here's Charles Meacham's Calcutta's Taxi, a photo essay on the yellow taxis that crawl around this teeming metropolis.

I often used these yellow taxis to travel from one end of Kolkata to the other during my Durga Puja Photo Expedition-Workshop in October 2011, and I recall an occasion when seated in the front seat alongside the driver, I almost passed out from the heat spewed out by the motor's heat of the old and ill-maintained Ambassador. Obviously there was no air conditioning, nor were the open windows any help whatsoever in Kolkata's heat and humidity.

Charles Meacham was born outside of Philadelphia, and started traveling immediately after high school. Having spent the last ten years photographing, he has received over 30 international photography awards, and attended the 25th annual Eddie Adams workshop. He co-founded the Walk With Pride project which aimed to bring social awareness to LGBT Rights by photographing pride marches around the world.  After 10 years of living in Asia, Charles calls Brooklyn his home. 

Supranav Dash | Trades Portraits

Photo © Supranav Dash-All Rights Reserved

I very much like this type of project. 

Everybody who's been to India knows that many occupations, trades and services are to a large extent linked to the prevailing caste system. For a few hundred of years, members of specific castes were rigidly tied to occupations, and could rarely deviate from them. These occupations, crafts and trade know-how were passed from generation to generation; from father to son...but how long will this continue with the globalization and the erosion of the caste system.

The photographs were made in Kolkata by Supranav Dash between 2011-2013. Kolkata was, of course, the capital of British Colonial India and also the commercial hub of the Indian sub-continent. I came across this work on TIME's Lightbox blog, and learned from the accompanying article by that Ms Jyoti Thottam that Supranav was influenced by Eugène Atget and Irving Penn who documented the trades and professions of London, Paris and New York.

The first photograph on the Lightbox blog is that of a Brahmin with a deformed cow, and those of you who have visited Pushkar will certainly recall such itinerant individuals with similar cows, trying to make meagre earnings by parading these unfortunate animals. 

I seldom read the comments that accompany such projects, but this time I did...piqued by curiosity at how viewers will react to the monochromatic photographs of India. True enough, a commentator didn't like it and described the choice as strange. She proceeded to insult another commentator who disagreed with her. Well, I think these monochromes perfectly fit the subject matter.

Supranav Dash was born and brought up in Kolkata, India. He has a BFA in Photography (Honors) from the School of Visual Arts, NYC. He currently lives and works in Brooklyn. His areas of interest are Fine Art and Social Documentary.

If you're interested in viewing the portraiys along with ambient sound (presumably of Kolkata's streets), drop by Supranav's Vimeo page.

Ruben Vicente & João Maia | Hidden Gion

Here's a lovely multimedia piece (in video form) of photographs by Ruben Vicente and João Maia of the famous Gion neighborhood.

Gion is a district of Kyoto, Japan, originally developed in the Middle Ages, and built to accommodate the needs of travelers. It eventually evolved to become one of the most exclusive and well-known geisha districts in all of Japan. The geisha in the Gion district (and Kyoto generally) do not refer to themselves as geisha; instead, Gion geisha use the local term geiko. While the term geisha means "artist" or "person of the arts", the more direct term geiko means essentially "a child of the arts" or "a woman of art".

I read that Gion's structures boast wooden lattice windows made of thin wooden beams in a grid pattern to create a lace effect, and its streets are lined with stores selling traditional Kyoto crafts, such as 'kanzashi' (ornamental hairpins), incense and kimono accessories.

Ruben Vicente is travel photographer based in Lisbon who, apart from loving photography, is a senior programmer in the telecom industry. João Maia is a part-time freelance photographer in Lisbon specializing in landscape, nature and travel. He is also a software architect with a major Japanese company.

Kares Le Roy | Asia In 6 Minutes

I frequently find wonderful work by photographers on my ZITE, and this remarkable video by Kares Le Roy managed to temporarily distract me a little from following the horrific events in Egypt. I hope it will have the same effect if you feel the same way.

Kares is a French photographer and graphic designer. More of his background can be found on his blog (scroll down for the English version). He traveled and photographed in Tibet, Nepal, India, Bali, Cuba, Cambodia and Morocco. He traveled through 56 000 km of land and humans: faces, smiles, eyes, monuments, cultures, events and this 6 minutes video masterfully provides a bird's eye view of the Asian continent.

I have featured the work of Kares on The Travel Photographer blog already, but Beware Magazine also has an interesting interview with him.

POV: Monochrome...A Phase In Life?

Photo © Tewfic El-Sawy-All Rights Reserved

A Facebook "conversation" touching on the merits (or lack thereof) of the Leica Monochrom with my friend Pierre Claquin triggered many thoughts in my mind. First off, the ephemeral thought of selling some or all of our photo gear to acquire the $8000 Monochrom crossed our minds...but after pushing away the temptation, I reflected on the reasons behind my recent interest in making monochrome photographs.

It started off during my Kolkata's Cult of Durga Photo~Expedition & Workshop™ in October 2011 during which I asked all its participants to produce their projects in black and white in order to bast capture the grittiness of Kolkata's Durga Puja.

I started to dabble with the various techniques in Photoshop or Lightroom; sometimes using presets in some cases. I also tried shooting in black and white with my M9 and the X Pro-1. The latter was used quite a lot in that mode in Sa Pa and Hanoi during my North of the 16th Parallel Photo-Expedition/Workshop, resulting in The Indigo People, and Hanoi Streets among others.

Photo © Tewfic El-Sawy-All Rights Reserved

More recently, I caught myself converting some of my most colorful photographs (such as the one of the Rajasthani shepherd and the Kathakali performer) to black and white, and was glad in seeing that these were equally powerful and pleasing to my eyes. I continued this trend over the past weeks, and started sending some of my conversions to be printed at Adorama.

In my office, I have about two dozen of some of my Cibachrome photographs made about a decade ago, already framed and mounted, and I've now decided to replace them with more recent photographs in monochrome. I already have switched 3 or 4 and these adorn one of my walls.

So is this infatuation with monochrome a function of a maturing phase in my photography timeline...or is it just an aesthetic phase that will subside? I don't know, but I wager that I'm not the only one who's passing (or has passed) through it.

It might also be a partial consequence of having downloaded the Nik Collection with its Silver Efex 2 software. The ease to use this software, and its results are really worth its $150 price tag.

In fact, its suggested workflow is what I use...not necessarily on all my conversions, but with a little tweaking, I found it works for me:

1. Apply Raw Presharpener using Sharpener Pro 3.0.
2. Apply noise reduction using Dfine 2.0.
3. Control color and light using Viveza 2.
4. Apply filter enhancements using Color Efex Pro 4.
5. Convert to black and white using Silver Efex Pro 2.
6. Apply output sharpening using Sharpener Pro 3.0.

Finally, will I desert color photography for monochrome? No...how can I when there are many instances where color photography is just perfect for the scene?

Photo © Tewfic El-Sawy- All Rights Reserved

POV: Addicted To Auto-Focus

Photo © Tewfic El-Sawy- All Rights Reserved (Leica M9/Elmarit 28mm. f2.8 1/750)

I'm not sure how other photographers and photojournalists feel, but I've become addicted to auto-focus, and it's an addiction I find extremely difficult to shake off.

When I'm in the mood, I roam the streets of New York City and try to capture something of its essence. When I do this I generally shoot from the hip to catch the candid moment, the posture, the fleeting expression...sometimes I'm successful, and many times I'm not; but that's what candid street photography is all about. The probability of catching these candid moments is quite low.

It's for that reason that I favor the Fuji X Pro-1. There's a lot to favor in the X Pro-1, but its (relatively) good auto-focus is one of its advantages. Yes, it goes to "sleep" once in a while and makes me miss the shot...and yes, its AF is not as quick as a DSLR, but it performs as well as I expected it to.

My other street camera is the Leica M9 that has no auto focus, and I struggle to choose it over the Fuji X Pro-1 when I'm off to the streets. Don't get me wrong. Its image quality is fantastic, and although I'm not exactly a Leica fan-boy, I still think it's a phenomenal camera with phenomenal lenses...and is perfect for candid street photography (among other uses, of course).

But I hesitate when I reach for it.

Yes, I know all about zone focusing, and I practice it whenever I can. But it frequently lets me down, partly because of my addiction to auto-focus (ie using my X Pro-1) and partly because the nature of the type of shooting from the hip photography is a hit and miss process.

I've thought of an analogy to this addiction..and it's like learning to drive with a stick-shift car versus an automatic. It's been said that the former makes you a better driver, so when I reach for the Leica, I comfort myself by thinking that shooting without the auto-focus has its merits sometimes, despite rueing that decision when I see the eventual results.

Now, where's my iPhone? :)

Drew Doggett | Omo Valley & Slow Road To China

Photo © Drew Doggett-All Rights Reserved

Idly thumbing the pages of a society magazine aimed at the residents on Long Island, I stumbled on an article about Drew Doggett's horse photography, which mentioned that the photographer had trekked in Nepal and Ethiopia.

I visited his website which showcases a couple of Drew's galleries that are a perfect fit to feature on The Travel Photographer blog. The first gallery is Omo: Expressions of a People...which in 2012 was accepted into the Smithsonian African Art Museum’s photographic archives. These monochrome photographs are influenced by the photographer's having trained in fashion photography as an assistant to Steven Klein and Mark Seliger, and is the second of several expeditions Doggett has planned as part of a ten-year project.

Slow Road to China is a photo gallery of the inhabitants and mountains of the Humla region of northwestern Nepal. Also in black and white, these images document a disappearing Tibetan culture.

Photo © Drew Doggett-All Rights Reserved

Humla is considered one of the most remote and isolated regions in Nepal, reachable only by foot or small aircrafts which irregularly land in the district head quarter, Simikot. It is situated high in the Himalaya, in the Karnali Zone bordering the Tibetan Autonomous Region. Its northern part is populated by a Tibetan ethnic group, referred to as Lama in the region.

Amos Chapple | Maxime The Pillar Saint

Photo © Amos Chapple-All Rights Reserved

I have no chance of being a Stylite saint...(or being a saint for that matter) since I feel uncomfortable with heights. Not to the extent of being acrophobic, but enough that I think twice before looking out of a skyscraper balcony or even floor to ceiling windows.

CNN featured a photo essay by Amos Chapple on Maxime, a monk who lives on a mountain pillar in the country of Georgia. To get to his aerie where he lived for 20 years, the 59-year-old scales a 131-foot ladder, which takes him about 20 minutes.

Maxime follows the ancient tradition of the Stylites (aka Pillar-Saints), a type of Christian ascetics who in the early days of the Byzantine Empire stood on pillars preaching, fasting and praying. They believed that doing so would ensure the salvation of their souls. The first Stylite was Simeon who climbed a pillar in Syria in 423 and lived there for 39 years until his death.

The monk told Chapple that it was up on his perch that he could feel God's presence. The pillar is called Katskhi pillar, and stood unvisited since the 15th century when the Ottomans invaded Georgia. No one had even been to the top for centuries until an alpinist climbed it and found the remains of a chapel and the skeleton of a Stylite in 1944.

Amos Chapple started as a newspaper photographer in New Zealand, including two years at the country’s largest daily, The NZ Herald, before moving to London and working full-time for a project to photograph all of the world’s UNESCO World Heritage Sites. He now works freelance and, as of the past year, has been specializing in photographs of the world’s ”beautiful secrets”. It’s a kind of travel photography, but by making sure each site is little-known, and has an interesting back story, it is proving popular with newspapers and magazines throughout Europe

Summer Break

Photo © Tewfic El-Sawy-All Rights Reserved

I'm sunning myself for a few days...and The Travel Photographer blog will take a break as well. I might write a post or two if anything warrants it...we'll see.

I hope my readers have a great summer as well. I'll be back next week.

World Nomads' Travel Photography Scholarship 2013

Photo © Divya Agrawal-All Rights Reserved

Following my earlier posts which are essentially critical of photography contests, I stumbled on World Nomads' Travel Photography Scholarship 2013 announcing the first place winner as being Divya Agrawal with her photo essay titled Dotma: In The House I Can Live.

Now, this is a different breed of photo contest from those we usually see, and some of you actually participate in.

This photo contest/scholarship is sponsored by WorldNomads.com and National Geographic Channel, and it's giving one aspiring photographer the opportunity to accompany a National Geographic photographer, Jason Edwards, on assignment in Greenland for 10 days. The original invitation to participate is here. 

Although World Nomads is a travel insurance company, and could certainly use all or some of the submissions for promotion purposes, the contest/scholarship was open for non-professionals only, and requires no entry fees. However, there some other terms regarding the usage of the images made during the assignment that are not totally altruistic. 

That said, I think these terms are reasonably fair since the winner will be traveling to Greenland, and will be mentored during that time, for free.

Another reason I am posting about this Travel Photography Scholarship is that Mohit Gupta, a good friend from New Delhi and an attendee of my multimedia class at the Foundry Photojournalism Workshop, has earned fifth place in the contest/scholarship, with his lovely The Art of Pigeon Racing.

The whole photo essay can be viewed on Galli Magazine, with the title of Winged Legacy of Old Delhi, which depicts the art of pigeon combat (known as kaboortarbazi) as practiced on the roofs of this old city. Mohit tells us that his photo essays made in Old Delhi are inspired by William Dalrymple's City of Djinn. Many of us feel the same. 

Photo © Mohit Gupta-All Rights Reserved

National Geographic Traveler 2013 Contest Winners

Photo © Wagner Araujo- All Rights Reserved

The venerable National Geographic Traveler has announced the winners of its 25th annual photo contest. The magazine received more than 15,500 entries from photographers from around the world, of photographs made in locations ranging from Brazil to Kenya.

The overall winner was Wagner Araujo, who was in Manaus during the Brazilian Aquathlon championship. He photographed it from the water and although his lens got completely wet, he didn't mind.

Following on my previous post, I am quizzical as to how judges comes to their decisions and via comments on my Facebook page, I learned that these are totally subjective and are sometimes based on the say-so of the more forceful judge on the panel.

As far as this particular wining photograph is concerned, this is what one of this year's judges says (partly):

“...Classic photographic rules of composition say that you should not have subjects moving out of the frame, but this shot shows that sometimes the most exciting photo can be made by breaking the rules...”

Whenever I post the results of a travel photograph contest, I like to pretend that I was one of the judges and pick my favorite....and this is the one I chose. It's a photograph of a child in a Zanzibar nursery.

Photo © Beniamino Pisati