My Interview on Auto de Fe Is On The Web

"Tewfic El-Sawy is a blogger, travel photographer and champion of increasingly popular photography expeditions. He talked to Auto de Fe about what photography means to him, the much discussed death of photojournalism and what the future holds for lovers of the still image."

I am gratified that Auto de Fe magazine has featured my In Focus interview on its website, after launching its very first issue for the iPad a few days ago.

So have a read to find out what I think of the so-called 'death of photojournalism', the democratization of photography and how I came to set up my photo expeditions-workshops.

Auto de Fe describes itself as a cross-platform magazine of inquisitive journalism and intelligent photography. It showcases compelling writing, investigative reporting and visual documentary projects from around the world.

Note: This is a very quick post as I'm working on my images from yesterday's Coney Island's Mermaid Parade.

Auto De Fe & The Travel Photographer On The iPad

I am very pleased to appear as the first photographer for the In Focus feature in Auto de Fe's magazine for the iPad.

The feature carries an interview with me, along with some of my favorite photographs that I made over the course of my 12 years career. The interview was conducted with Jack Laurenson, the magazine's Executive Editor.

What is Auto de Fe? Well, it's a cross-platform magazine of inquisitive journalism and intelligent photography. It showcases compelling writing, investigative reporting and visual documentary projects from around the world. ADF is a unique magazine for the 21st century and is available as a fully interactive digital app on the iPad. Other devices will follow. It'll also be online and in print. Its digital & print format will allow many mediums of storytelling and bring some truly spectacular reportage.

I've downloaded the Auto de Fe's App from the Apple Store, and it's truly magnificent on the iPad. I don't have the new iteration of the iPad with the Retina display, but I know people who have it, and they say it's eye-popping! So get it!!!

I would be remiss if I don't mention the photojournalists/photographers whose work appear on the inaugural issue of Auto de Fe. These are Sean Power with 40 Commando, Meredith Alexander with London's Olympic Shame, Sean Hawkey's reports from the mines of Guatemala and Nicaragua, Carole Alfarah's Waiting For Change and Lisa Wiltse's The Charcoal Kids.

Finally, I urge emerging photojournalists and visual storytellers to view Auto de Fe's raison d'etre, and consider the opportunity that it offers as per its "What Do We Offer Our Contributors".

Gul Chotrani: Leica Talk

Photo © Gul Chotrani-All Rights Reserved

Gul Chotrani was just featured in an interview on The Leica Camera Blog, following his return from his July 2011 journey to Ethiopia's Omo Valley.

I met him when he joined my In Search of the Sufis of Gujarat Photo Expedition™ in 2011, and it was during it that he photographed using his M9, S2 and a Nikon D3.

Gul worked as an analyst/economist and later in investment banking in the UK, then spent several years in academia, teaching economics and finance in Singapore and South East Asia. He subsequently served as a consultant/advisor in trade, finance and development issues, and also participated in technical cooperation programs with several less developed countries in Asia, on behalf of the Singapore government, the Asian Development Bank and the World Bank.

"When I’m on a serious photography trip, my total gear consists of three bodies (Leica M9, S2 and Nikon D3X) with perhaps two lenses for each, all meant to complement each other."

He echoes many Leica owners when admitting that using its cameras in the beginning was frustrating, and that he almost gave up on it. However, realizing the superlative optics of the Leica M lenses, and presumably the resultant image quality, is what kept him hooked to the Leica brand.

Interesting thoughts (a second installment of the interview is due to appear soon on the Leica blog) by an enthusiastic and unabashed Leica aficionado, which may influence some photographers to jump in the Leica universe.

For further photographs by Gul, drop by his website.

CPN: Gary Knight: Advice To Young Photographers

Canon Professional Network has featured five Canon Ambassadors – photographers Michael ‘Nick’ Nichols, Gary Knight, Ziv Koren, Frits van Eldik and Paolo Pellegrin, and asked them what they’ve learnt from their years of experience and what advice they would offer to young photographers starting out on their photographic careers.

I thought I'd feature Gary Knight's interview here...this is purely a personal choice based on what he advocates "keep it simple...and don't think too much"; advice which I always follow and advocate, and since I met Gary in Bali some years ago...I know his advice is not a fluff piece, and that he speaks his mind. So his interview is highly recommended to young photographers.

"...keep it simple...don't think too much..."

Gary Knight began his photographic career in Thailand in 1987 and he lived and worked in the Far East until 1992. In 1993 he moved to the former Yugoslavia and documented the civil war there. In recent years he has covered the invasion of Iraq, the occupation of Afghanistan, the civil war in Kashmir and the Asian Tsunami. One of the founders of the VII Photo agency in 2001 his work has been published by magazines all over the world and he has been a contract photographer for Newsweek since 1998. He is one of the founders of the Angkor Photo Festival, a registered charity in Cambodia; a board member of the Crimes of War Foundation and a trustee of the Indochina Media Memorial Foundation.

Rahgu Rai: Interview With The Guardian

Photo © Raghu Rai- All Rights Reserved

"Most people don't see, they just glance. When we take a picture, we have to be aware of every inch of space we're dealing with" -Raghu Rai

An interview with Raghu Rai in The Guardian newspaper was published to coincide with his work being featured in a retrospective at the Aicon Gallery in central London and in a landmark exhibition at the Whitechapel gallery.

A gallery of his work is also featured on The Guardian's website.

Raghu Rai is a Magnum photographer who spent 40 years photographing India. Born in a small Pakistani village and moving to India during Partition, he was witness to some of the most significant events in his country's recent history. He was one of the first photographers on the scene after the 1984 Bhopal industrial disaster and has produced acclaimed documentary series on Mother Teresa, the Dalai Lama and the late Indian prime minister Indira Gandhi.

Via Wendy Marijnissen's Twitter feed.

Ed Kashi's Interview (Silber Studios TV)

Screen Capture Courtesy Silber Studios

Ed Kashi is of course a well known photojournalist with a list of awards and achievements as long a man's arm, and then some. I thought his interview with Marc Silber would be of interest to my readers if they haven't caught it before I did.

In this video-interview,  Ed shares some ideas (tips if you prefer) on advancing one's photography. He makes many interesting points such as describing himself as a long form visual storyteller, and uses the phrase "candid intimacy" to describe his work.

The blurb accompanying the video interview mentions that when a photograph achieves that look, then its viewers can see into the soul of the subject...perhaps a little hyperbolic, but one that some of us travel photographers (and certainly the majority of photojournalists) relate to.

I'm not talking about "pretty pictures" here, but as far as I'm concerned, it's about what I like to call "travel photography meets photojournalism". ...a phrase I use to describe my photo~expeditions. I wasn't surprised at all to hear Ed say that more and more of his work is being shot from his hip or his shoulder, to avoid provoking people who are not comfortable with having a lens poked in their direction. I also smiled when I heard Marc Silber mention Morocco as being a difficult place to photograph people, as they disliked being photographed...it brought back my few photographic ventures to that part of the world.

Ed (and others like him) shooting more and more from his hip or his shoulder is something that camera manufacturers ought to keep in mind. Perhaps that's one of the benefits of owning and using an EVIL (Electronic Viewfinder Interchangeable Lens) camera which can be used like an inoffensive point & shoot. The Panasonic GF1 (now GF2) and Olympus E-PL1 are such cameras. I have the former with a 20mm f1.7, and have a lot of respect for what it can do.

Katharina Hesse: Human Negotiations (& Interview)

Katharina Hesse is a photographer who currently works in China and Asia, and has been based in Beijing for the past 17 years. She graduated in Chinese and Japanese studies from the Institut National des Langues et Civilizations Orientales (INALCO) in Paris.

She has recently uploaded some of her gripping photographs of Bangkok's sex industry unto a 6 minutes-movie which she titled Human Negotiations (above), and during which she also talks about her project in a Skype-interview with Elisabetta Tripodi, and which appeared on the blog e-photoreview.

Human Negotiations is an experimental two-year collaboration between Katharina and writer Lara Day, using images and text to explore the lives of a community of Bangkok sex workers. I cannot begin to fathom how Katharina managed to gain the trust and confidence of her subjects to such a degree...and she says as such in her interview, and that the most important task in her project was to gain the trust of the sex workers and their clients. All serious photographers agree with her advice, since only full and complete mutual trust gained over months and months can make such intimate projects possible.

Katharina's has an impressive background. Not only is she a self-taught photographer (always a huge plus for me), but she initially worked as an assistant for German TV (ZDF) and then freelanced for Newsweek from 1996 to 2002. In 2003 and 2004 she covered China for Getty’s news service. Her images were featured in numerous publications such as Courrier International, Der Spiegel, D della Repubblica, EYEmazing, Zeit Magazin, Glamour (Germany), IO Donna, Die Zeit, Marie-Claire, Le Monde, Le Monde Diplomatique, Neon, Newsweek, 100Eyes.org , Reporters without borders(yearbook 2010, Germany), Stern, Time Asia, Vanity Fair (Italy/Germany), and Wired (Italy) among others.

Katharina's photographs of Xinjiang, Kashgar and Urumqi are probably the best I've seen of that region....so go to her website after you watch the above movie.

Saiful Huq Omi: Interview

Screen Capture Courtesy World Press Photo

Saiful Huq Omi is a Bangladeshi photojournalist, whose photos appeared in The New York Times, Newsweek, Time and Asian Photography, among others. His work has been exhibited in galleries from Zimbabwe and Russia to Japan and his home country. He received a number of awards, including the All Roads National Geographic Award, and an emerging photographers grant from the Open Society Institute.

I thought his recent interview with the World Press Photo ** was one of the most honest I've seen in a long time. Saiful Huq spoke candidly, and tells his interlocutor something which resonates with many emerging photographers in the world...

"...the world has seen us through the eyes of white photographers from the west.."

Well said, Saiful Huq! That's true, but these days are now gone, never to return. It's now the time for local photographers to show us their cultures, their countries and their creativity...as indeed you and many others like you have already done...and will continue to do.

His Rohingya project gained him a grant from the Magnum Foundation Emergency Fund. He is represented by Polaris Images, and published his first photo book, Heroes Never Die - Tales of Political Violence in Bangladesh, in 2006.

** (The direct link may redirect you to the main World Press photo website. If so, you'll have to navigate to its multimedia library and then to "Meet its Participants")

Via Duckrabbit.

Gali Tibbon: Jerusalem

Photo © Gali Tibbon-All Rights Reserved

I like Gali Tibbon's work a lot, and her focus on faith-related reportage resonates with me. I found her interview (below) to showcase her images much better than on her website. She's an independent photographer based in Jerusalem, with over a decade of experience in photojournalism in the Middle East. Her work has taken her on assignments in Turkey, Cuba, Egypt, Jordan, Ethiopia, China, Spain and Ukraine.

Her work documents religion, focusing on faith through pilgrimage and rituals, and documenting the various Christian denominations in Jerusalem's Holy Sepulcher, baptism in the Jordan River, the ancient Samaritans, Ethiopian Christianity and pilgrimages across Europe.

It's with pleasure that I watched this interview with Gali on the Canon Professional Network during which she discusses her work.


A must-see!!