Showing posts with label Morocco. Show all posts
Showing posts with label Morocco. Show all posts

Monday, October 7, 2013

John Horniblow | Imilchil Wedding Festival


The Imilchil moussem (festival) is held in Morocco's High Atlas, and is all about livestock and finding a partner. It's also known as Souk Aamor Agdoud N’Oulmghenni, which is a tongue-twister for most of non Berber speakers. It represents the annual meeting of the large and important tribal Berber families of Aït Haddidou, Aït Morghad, Aït Izdeg and Aït Yahia.






There are two versions of stories explaining the birth of the festival. The Berber version tells the legend of two young people from different feuding tribes who fell in love but akin to Romeo and Juliet, they were forbidden to see each other by their families. The grief of unrequited love led them to their deaths. The legend tells that they cried themselves to death, creating the neighboring deep alpine lakes of Isli (his) and Tislit (hers), near Imilchil.





Another version is that the lovers drowned themselves in the separate lakes. The Imilchil Marriage Festival was founded as a commemoration of the lovers' death, and provides the opportunity to unmarried Berbers, particularly women trapped at altitude for most of the year, to look over and mingle with prospective spouses. They sing, dance and flirt, and available men must wear white turbans and their female opposites wear the family silver.




Another version, but much less romantic explanation, is that Morocco's French past colonial administrators assembled the transitory Berbers to register their births, deaths and marriages.

John Horniblow tells us "small groups of young Berber women dressed in traditional finery and roughly, woven woollen robes distinctive to each family tribe, some with berber fibules (amulets), eyes rimmed with heavy black kohl, and intricately hennaed hands, amble through the commerce of the souk talking, flirting with or being approached by the potential bachelors trying to strike up meaningful conversation. The wary eyes of elder relatives, looking on, following them protectively at a furtive distance."

John Horniblow is the founder and editor of Photojournale and publisher of Photojournale Connections Across A Human Planet. John is both photographer and film maker with his photographic work featuring in Geo Mundo, Penguin books and People ( Time Inc.) . He also has worked on production managing and assisting Frans Lanting on assignment with National Geographic and has also produced directed and shot documentary and short films featuring on SBSTV , Channel Seven and at International Film Festivals.

Tuesday, April 16, 2013

Sufi Soul | William Dalrymple



In anticipation of my soon to start The Sufi Saints of Rajasthan & Kashmir Photo Expedition-Workshop, which I described in an earlier post as  the first and only photo expedition-workshop whose objective is to record the commemoration of the death anniversary of a Sufi saint, I thought I'd feature the first part of William Dalrymple's Sufi Soul which appeared on Channel 4 in Britain, and which traces his personal journey into the mystical and musical side of Islam as he describes traditions of Sufi music in Syria, Turkey, Pakistan, India and Morocco.

It starts rather brusquely and clumsily with snippets of Western media reports on radical Islam; presumably to highlight the disparity beween this and the pacifist nature of Sufism.

For the followers of Sufism, music is a way of getting closer to God. The documentary traces the shared roots of Christianity and Islam in the Middle East, and presents Sufism as a peaceful and intellectual offshoot of Islam. It features many acclaimed performers, including the legendary Abida Parveen and Youssou N’Dour. 

Sufism is deeply rooted in Islamic cultures across the globe -- the Middle East, North Africa and the Indian subcontinent particularly -- and in each region has local characteristics.

Islamists ban singing, dance and musical instruments and regard them as diversions from devotion and subservience to Allah. In contrast, Sufi cultures are rich in these traditions, and few are better qualified to present this than writer, historian and longtime resident of New Delhi, William Dalrymple.

My thanks to Stephanie Ravel for having shared this with me.

Tuesday, January 31, 2012

Sharon Johnson-Tennant: Diffusion & Magical Mystery Tour

Pilgrimage Home (Ladakh)- © Sharon Johnson-Tennant-All Rights Reserved

Kitchen , Stok Monastery-© Sharon Johnson-Tennant-All Rights Reserved


Morocco-Photo © Sharon Johnson-Tennant-All Rights Reserved


Morocco- Photos © Sharon Johnson-Tennant-All Rights Reserved

di·aph·a·nous/dīˈafənəs/

Adjective:  Light, delicate, and translucent.
Here are a number of photographs by Sharon Johnson-Tennant, a multi-faceted award winning photographer in Los Angeles and a participant in my 2010 Tribes of Rajasthan & Gujarat Photo~Expedition.

These photographs are part of a larger number she sent me in connection with her forthcoming exhibition named DIFFUSION; a compilation of 9 years of Sharon's work from travel all over the world. She describes the photographs in this exhibition as "images that seem to have stopped in time, things in plain sight but not always seen" such as the two top ones made in Ladakh, a remote area of India. Apart from India, her travels have taken her to Malaysia, Burma, Borneo, Papua New Guinea, Thailand and the Philippines.

The exhibition's opening night is March 3, 2012 (7-10 pm) at the Robert Berman Gallery, in Santa Monica, Los Angeles. The exhibition will continue until March 31st.

As for the lower photographs, they're part of Sharon's larger body of work (still in progress) which she calls Magical Mystery Tour. Those were recently made in Morocco at twilight. That time of day in terms of light, coupled with the natural reticence of Moroccans to being photographed pushed Sharon to alter her techniques to meet these challenges.

On my blog, I frequently describe photographs as powerful, emotive, and/or well composed.  For Sharon's new photographs, I happily add diaphanous and ethereal to all these adjectives.

For further examples of Sharon's talents, visit her new website...you'll see the versatility of her work.

Tuesday, January 10, 2012

Jelle Oostrom: Morocco

Photo © Jelle Oostrom-All Rights Reserved

Jelle Oostrom is a travel writer and photographer based in the Netherlands, and has interesting photo galleries of his journeys to Morocco, Andalucia, Thailand, Portugal, Italy and Indonesia.

In common with most photographer who travel to Morocco, Jelle's gallery of this country is predominantly of streetscapes, landscapes and, with a couple of exceptions, of people from a distance (as most Moroccans dislike being photographed for cultural reasons).

I especially liked Jelle's photographs of Chefchaouen; the well known "indigo blue" town close to Tangier and the Spanish enclave of Ceuta. Aside from Chefchaouen, the Morocco gallery of 45 photographs features Marrakech, Essaouira, Ouarzazate and possibly Fez.

Jelle also authors a Tumblr blog.

Monday, February 28, 2011

Leila Alaoui: The Moroccans

Photo © Leila Alaoui - All Rights Reserved
Leila Alaoui is a young French-Moroccan portrait and documentary photographer living in both Morocco and Berlin. She received a B.S. degree in photography from the City University of the New York Graduate Center.

With a number of international exhibitions under her belt, Leila has also featured her portraits of Moroccans at the Palais Es Saadi in Marrakesh.

One of my favorite in her small gallery of Moroccan portrait is the one above of a traditional "guerrab"...or water-seller. This one is from a souk in Boumia (near Meknes), but most people who visited Marrakesh's Souk el Fna have met these water-sellers who now make a living by posing for the cameras. They are a ubiquitous presence in other Morocco's cities.

I'm especially glad when I discover the work of promising (and established) Arab photographers, especially if they're women...and they'll always figure prominently on this blog.