Sebastião Salgado: The Nenets of Siberia

Photo © Sebastião Salgado/Amazonas/nbpictures

The new work by my very favorite photographer Sebastião Salgado was featured by The Guardian newspaper in the UK. It's been trending very heavily on Facebook and on Twitter, which is not surprising since so many people admire him and his work.

I not only admire his work, but his way of seeing....as he describes it by saying " If you take a picture of a human that does not make him noble, there is no reason to take this picture. That is my way of seeing things."

But back to his new work.

Mr Salgado's Genesis project is now complete after 30 trips made over 8 years. The project portrays the beauty and the majesty of regions still in a pristine condition, areas where landscapes and wildlife are still unspoiled, places where human communities continue to live according to their ancient culture and traditions.

From The Guardian's very interesting accompanying article,   Mr Salgado's latest trip was to the nomadic Nenets of northern Siberia. The Nenets are also known as Samoyeds, and are an indigenous people in northern arctic Russia. There are 40,000 Nenets in the Russian Federation, most of them living in the Yamalo-Nenets Autonomous Okrug and Nenets Autonomous Okrug.

The Nenets' lives are defined by reindeer, which are the source of their food, clothing and transport. Every spring, the Nenets move large herds of reindeer from winter pastures on the Russian mainland, travelling more than 1,000 kilometers north to summer pastures in the Arctic Circle.

I ought to also mention that London's Natural History Museum is scheduling an exhibition of Genesis on 11 April - 8 September 2013. There is no way that I will miss it...no way.

Thomas Cristofoletti: Once Upon A Time In Burma

Photo © Thomas Cristofoletti-All Rights Reserved

I thought I'd feature work of Myanmar (Burma) which is rapidly becoming the must-see destination in South East Asia after its 'opening' up. I'm told that tourists are descending on this lovely country like hungry locusts over Biblical Egypt, and that hotels and flights are difficult to come by.

Ah, well...I hope the benefits accruing to the touring agencies from this surge trickle down to the people of Burma.

I thought I'd feature Thomas Cristofoletti's photographs of this magnificent country, especially as they're different from the standard travel photo portfolios of posed photographs of Lake Inle fishermen or Buddhist monks in Mandalay or Bagan. His photographs are, for the most part, unposed and natural. And his website includes well composed photography of Burmese people in Yangon's streets, on the ferries, in train stations, and on Inle Lake.

Thomas Cristofoletti is an Italian freelance photographer & videographer based in Phnom Penh, who's working in several social video & photography projects in South East Asia and Europe for international NGOs. His photographs were eatured in international magazines and newspapers, such as The Herald Tribune, The Guardian.co.uk, El Pais, Afisha Mir Travel Magazine, LaRepubblica.it, In Style Russia, and others. 

Jan Schlegel: Pain & Beauty Redux

Photo © Jan C. Schlegel-All Rights Reserved

Oh, followers and readers of The Travel Photographer blog will like this!

Ethnophotography, traditional process, photographs made with a 4x5 field camera (Ebony SV45 Ti) on Kodak Tmax 400, and negatives developed in Kodak D76 Developer 1+1 dilution...then selenium toned. What's not to like?

"None of the people photographed wear special make-up or were specially dressed before the photos were taken. They were all captured in their own habitat — at the market, in the village square, or simply on the roadside." Jan Schlegel

Jan C. Schlegel is a German photographer, whose ethno-photographic work is in the tradition of Phil Borges.  In 1998, he began traveling throughout Asia and Africa with the objective of photographing diverse people groups and tribes, and has so far traveled to 61 countries and is still in pursuit of the beauty and diversity of the nations.

The quality of these photographs are just remarkable. His website claims that he succeeds in not only creating artistic photographs, but in documenting the uniqueness of his subjects...the people who posed for him. Absolutely.

And I have a lot of respect for a photographer who doesn't follow the fad of making demeaning portraits of Ethiopian tribal people wearing ridiculous ornaments. Speaking of ornaments, take a look at the magnificent jewelry of the Himba women...and don't miss the beautiful eyes of the Kalash women.

I had posted Jan's work some years ago here, but it seems he changed his website, and added much more work.

POV: The Subway Picture

Appalling and disgusting. How else can anyone describe this? The New York Post, known for its sensationalism, and one of the rags belonging to Rupert Murdoch, has deservedly earned the opprobrium of every sentient being.

What does it have to do with travel and documentary photography? Nothing, other than it involves a so-called "freelance photojournalist", who through his action in taking this horrific picture, sullied the profession's reputation...which wasn't that stellar in the first place.

I saw a post on Facebook linking to an article published on Gawker bearing the title of Would You Have Taken The Subway Photo? asking that question to a bunch of Pulitzer-winning photographers.

I don't give a rat's ass what the Pulitzer winning photographers think, or what they would have done. Does winning the Pulizer prize bestow upon them more morality than the rest of us? This has nothing to do with taking a picture. This has to do with being a human being. And don't take me for a fool by saying that it was the duty of a photojournalist to document such an event.

I can only judge others' action by what I would have done had I been in this "photographer's" shoes.

I would've been frozen in my tracks at the horrifying scene unfolding in front of me over the course of 20 seconds...there's an infinitesimal chance that I might have run towards the man in a doomed impulse to do something...but I suspect I would've been transfixed at what I was about to witness. The last thing on my mind would've been to raise a camera and take a picture.

But let's pretend my nerves are made of steel, that I'm a hard-core photojournalist on the NYC subway beat for a while, and that I took the picture. I would have never given the picture(s) to the New York Post. Never.

But let's assume that I had to...perhaps because I'm a hardened hard-core photojournalist, or because of a contractual obligation that prevented me from deleting pictures, or because I felt the need to give them to the NYPD.  I would have refused to take a red cent for it.

But let's pretend that I lost my moral compass for a moment and took the money. I would regain it and give the money to the victim's kin to defray the burial cost, and try to cleanse my soul.

Yes, Mr R. Umar Abbasi...you need to cleanse your soul. And don't describe yourself as a "photojournalist".

As for The New York Post...you know what you are. I won't waste time telling you what you already know.

Ian Ruhter: The American Dream Project

If I'm to believe my blog's statistics, posts dealing with photographic alternative processes are hugely popular...as popular as comparisons between the Leica M9 and the Fuji X Pro-1.

So here's one about photographer Ian Ruhter (whose website's front page describes him as an "alchemist"...I think a well deserved self accolade). He processes his large format photographs using the collodion wet plate process, a photographic process used in the 19th century. He also authors the Silver & Light Tumblr blog that has some of his images. By the way, the above video on Vimeo registered some 104,000 plays.

Ian Rihter is traveling across the United States photographing the people and places with a delivery van that he converted into a giant camera. This collodion wet plate process was the fashion during the Civil War era and creates unique images on metal plates. Each plate is hand-coated, exposed and then hand-developed. The plate becomes both the positive and the negative, so each image can only be produced once; creating a singular photograph that can't be replicated.

Photo © Ian Ruhter. All Rights Reserved

The Travel Photographer's Photo Expeditions

I thought it'd be good idea to have all my past and future photo expeditions-workshops aggregated in one location separate from my regular websites, especially as I realized (rather belatedly) that some of my older itineraries/descriptions have evaporated in the ether when I moved from one ISP to the other.

All the itineraries and details of my photo expeditions from 2007 back to 2000 (about 8 or 9) have gone "poof"! So I will have to reconstruct them from various sources, emails etc, over the course of the coming weeks.

In the meantime though, here's (work in progress) The Travel Photographer's Photo Expeditions-Workshops from late 2008 to the present, including the one scheduled for May 2013. This aggregate website has the description of each trip, and includes the links to the audio slideshows and photo galleries produced during these trips.

Reuters Full Focus' Best of 2012

Photo © Reuters/Rupak de Chowdhuri-All Rights Reserved

Yes, like you I did a double take when I saw this photograph on Reuters Full Focus blog as one of the photographs that made it in its Best of 2012. And yes, once again it's that time of year when every news outlet in the world decides to feature its "best" images made during the past 12 months.

Its caption tells us that it's of a Hindu devotee attending the "Chadak" ritual at Krishanadevpur village, which is north of Kolkata earlier this year, when hundreds of devotees attend the ritual to worship the Hindu deity Lord Shiva, on the last day of the Bengali calendar year. The Chadak ritual includes a number of self-mortification acts performed by devotees.

The caption also tells us the photographer was unable to check the veracity of the action of this man.

I find it very hard to believe that this is for real. The red turban is suspiciously too low on the man's neck, and there are various tricks that magicians mimic such a horrifying thing.

I've attended various rituals (such the one of the Kali workshippers in Kodungallur where they beat their forefronts with swords until blood gushes out), and I know that I'd certainly circle this devotee to photograph him back and front, and ascertain the trickery (or not). I also find it surprising that there are no other photograph of this fellow other than this one. There are photographs of other people with hooks in their backs, but none of this one.

The photographer, Rupak de Chowdhuri, a photographer with Reuters, Corbis, etc. tells us that he started taking his pictures from different angles, and tried talking to this man to get more information but he didn’t utter a word.

In any case, this is what is called a "monumental pain in the neck".

Whatever it is, the rest of the photographs are also worth a look. Some are really very good...others not so much.