Tribes of Omo Valley: OZZO Photography

Here's a behind the scenes video of a trip to Southern Ethiopia by Icelandic photographer Oli Haukur and other team mates who visited a number of tribes in the lower Omo Valley. The video was made with a Sony RX100, a Canon 5D Mark III and an iPhone 5, while the real behind the scenes portion is shown around half way through.

I was reminded of the brutality of the traditional whipping of Hamar women preceding the jumping of the bulls ceremony, and of the sound of the switches landing on bare flesh and at seeing the wounds and bloody welts on the backs of these women. I've written a post explaining this custom in The Whipping of the Hamar.

Photo © Oli Haukur/OZZO Photography

The lower valley of the Omo is believed to have been a crossroads for thousands of years as various cultures and ethnic groups migrated around the region. The people of the Lower Valley of the Omo include the Mursi, Suri, Karo and Hamer.

Kiliii Fish: Native

I stumbled on the lovely NATIVE project; sepia portraits of modern indigenous people photographed by Kiliii Fish in Alaska, Oregon and elsewhere around the North Pacific rim.

Kiliii Fish is a photographer with ancestry spanning from China to Siberia, who grew up in the United States. His work consists of still photography and cinematography for portraits and for the sports/adventure. He also works with non-profits on issues from indigenous rights to environmental justice.

Photo © Kiliii Fish-All Rights Reserved

Captain Tristram Speedy: Travel Photography At Bonhams

Why would I mention Bonhams, an auction house, on The Travel Photographer's blog?

Well, it's because Bonhams is holding an auction of a rare photographic album of 180 Ethiopian images by Julia Margaret Cameron, Felice Beato and others. These images include a number of self portraits of Captain Tristram Charles Sawyer Speedy(1836-1910), a well-known English explorer and adventurer during the Victorian era, who was also known by his Amharic name 'Báshá Félíka'.

He was a fascinating character who was an Indiana Jones of his time, with a long association with India, Ethiopia and Sudan.

Born in Meerut (India), Captain Speedy was a red-haired bearded man 6'5" tall, who learned to speak Amharic, adopted Ethiopian native dress, and was photographed by Cameron in various guises such as a Bedouin chief, a Nubian chief, a Nubian warrior and much more. He was the inspiration for a number of popular books.

I am enormously interested in news like that because it merges history, Africa, Asia, adventurism, exploration and photography. Despite my abhorrence of colonialism, I consider men such as Richard Francis Burton and now, Tristram, as quintessential eccentric explorers, as orientalists and ethnologists, and as remarkable linguists with an extraordinary knowledge of languages and cultures.

They just don't make men that way anymore.

For those who don't know Julia Margaret Cameron: she was a British photographer born in Calcutta, known for her portraits of celebrities of the time. Her photographic career was short, spanning eleven years of her life (1864–1875), and got her first camera when she was 48 as a gift from her daughter.

As for Felice Beato (1832-1909), he was an Italian–British photographer, and one of the first people to take photographs in East Asia and one of the first war photographers. His work provides images of such events as the Indian Rebellion of 1857 and the Second Opium War.

POV: The Facebook © Kerfuffle

I'm not a lawyer, but in my previous career incarnation I had to peruse, study and negotiate many complex legal documents...so the recent kerfuffle with many photographers posting some legalese jargon on their Facebook pages prompted me to reread its Terms of Service.

But first, here's what the photographers in my network of friends posted on their walls. Simply stated, this means that everything on their pages is copyrighted and cannot be used by Facebook et al.

In response to the new Facebook guidelines I hereby declare that my copyright is attached to all of my personal details, writing - published and unpublished, personal/professional photos and videos, etc. (as a result of the Berne Convention). For commercial use of the above my written consent is needed at all times! (Anyone reading this can copy this text and paste it on their Facebook Wall. This will place them under protection of copyright laws. By the present communiqué, I notify Facebook that it is strictly forbidden to disclose, copy, distribute, disseminate, or take any other action against me on the basis of this profile and/or its contents. The aforementioned prohibited actions also apply to employees, students, agents and/or any staff under Facebook's direction or control. The content of this profile is private and confidential information. The violation of my privacy is punished by law (UCC 1 1-308-308 1-103 and the Rome Statute). Facebook is now an open capital entity. All members are recommended to publish a notice like this, or if you prefer, you may copy and paste this version. If you do not publish a statement at least once, you will be tacitly allowing the use of elements such as your photos as well as the information contained in your profile status updates...

Well, while it may look impressive, it's utterly useless. 

First and foremost, creators always own their intellectual property and posting it on Facebook won't change that. What is at stake is that Facebook, according to its terms of service, is granted a license by users to use it and display it. If you use Facebook, that's what you agreed to upfront...but it doesn't mean your copyright is at risk.

Facebook is very specific about this:

You own all of the content and information you post on Facebook, and you can control how it is shared through your privacy and application settings. In addition: For content that is covered by intellectual property rights, like photos and videos (IP content), you specifically give us the following permission, subject to your privacy and application settings: you grant us a non-exclusive, transferable, sub-licensable, royalty-free, worldwide license to use any IP content that you post on or in connection with Facebook (IP License). This IP License ends when you delete your IP content or your account unless your content has been shared with others, and they have not deleted it.

However, if posting some legal mishmash on your Facebook gives you comfort, go ahead cut and paste it.

Facebook users must realize there are no free lunches. The social network is a business and seeks to generate profits for its shareholders. People who are serious about privacy issues, their name and brand ought to be careful and choosy about what they post on Facebook, while others go further and use their walls on their own terms; only sharing information they want to share for good and valid reasons.

Antonio Gibotta: Holi

Photo © Antonio Gibotta-All Rights Reserved

In contrast with the currently underway Pushkar fair whose authenticity is marred by its popularity amongst foreign tourists; a topic I posted about a few days ago, Holi festival is one event I encourage most photographers to attend despite the potential damage to one's cameras from the dyed water and powder that is thrown during it. It's one of the events still outstanding on my list of Indian religious festivals, and it's one I blogged about repeatedly.

Today I add another Holi photo gallery by Italian photographer Antonio Gibotta.

Like his father, Antonio became a photographer and specializes in human and social issues. His international photo galleries include work from India, China, and Africa. Browse through his website, and don't miss his lovely black & white work from Kashmir. He won a number of recognitions and awards from international publications and contests.

New! Unique! The Sufi Saints Of Rajasthan & Kashmir

I earned the reputation of planning, organizing and leading unusual "off the beaten path" photographic experiences, so I am particularly pleased to announce my forthcoming The Sufi Saints of Rajasthan & Kashmir Photo Expedition-Workshop in early May 2013, which promises to be another unique photographic expedition, rivaling in intensity those that preceded it.

This is a unique photo expedition delving into the esoteric traditions of Sufism in Srinagar (Kashmir) as well as to attend the Urs Ajmer Sharif, an annual commemoration of Sufi saints in Ajmer (Rajasthan). It is the largest commemoration of Sufi saints in India, attended by many thousands of South Asian Muslims. The Ajmer event attracts the pious and the not-so-pious...the religious and the charlatans, the fakirs and the storytellers.

In common with my photo expeditions-workshops, the aim of this one is to assist participants produce multimedia bodies of work by merging their still photography and audio recordings to create compelling narratives.

For a taste of my work with Indian Sufism, interested readers can view The Possessed of Mira Datar, an article and photos that offer insight into sufism in the subcontinent, the multimedia photo essay on The Possessed of Hazrat Mira Datar, and a gallery of still photographs on In Search of the Sufis of Gujarat.

Details are on The Sufi Saints of Rajasthan & Kashmir Photo Expedition-Workshop website.

Piers Calvert: Amazonian Body Paint

Photo © Piers Calvert-All Rights Reserved

"To realise the project I travelled solo with 45 kilos of camera equipment. All photos are shot on location with natural light."

Piers Calvert visited a photo exhibition in Bogota, Colombia, where he saw a photo of girls from the Okaina tribe wearing body paint, taken by an explorer in 1908. The beauty of this art form inspired Piers,  and he found the Okaina had long stopped the practice, and that the tribe was nearly extinct.

Nevertheless, Piers set out to learn if body-painting still existed in Colombia at all, and if so, if he could document it. His research revealed that Colombia has over 100 different indigenous tribes, but not all of them practice (or practiced) body-painting.

Piers' message to the indigenous tribes he visited was that their culture was disappearing, and offering a chance to record some of it. Most communities weren’t interested, but some of them were and allowed him to record their practices.

Most of the body paint is made using "jagua". This is a tropical fruit whose juice is used for traditional body art. It's painted (or rather stained) on the skin making elaborate designs, and only lasts for a few weeks, similar to henna.

The Way We Are Now is the Piers Calvert photographs of these indigenous tribes.